Monday, October 22, 2012

Bye Mr. Chopra

I don't really know how to start this post.

On October 21, 2012 Yash Chopra passed away!

Wow. Who knew that I would ever say those four words. It seems so surreal to me because when someone is as lively and passionate about cinema as him, death seems like the farthest thing possible.


It's hard to believe that a man, who just a few weeks back, was laughing and thoughtfully discussing his retirement and his future...is just gone. Just like that. Gone. To even think that THE last legend of Hindi cinema has left...I honestly don't even know how to express my feelings. In his career that spanned for half a century, he influenced so many people's lives by simply doing what he did best: make movies. Silsila. Chandini. Lamhe. Dil to Pagal Hai. Veer-Zaara. Movies that defined generations and everything that Bollywood has always stood for. He romanticized pain, betrayal and even, hate. This is the man that created Hindi cinema...how can anyone describe the loss of such an icon?

Is there really anyone that can love cinema as much as he did? And when I say cinema, I mean Hindi cinema? 

Thank you, Mr. Chopra.

For making real films...and for so, so much more!

And in classic Bolly spirit, my week-long tribute for the legend will start tomorrow! <3

Thursday, September 6, 2012

Film vs. Television

If I say that movies are my passion, I'd be lying because actually Indian movies are my passion. If I say Indian movies are my passion, I'd be lying again because actually, I love Desi entertainment. Period.
Television, music, films, dance. I pretty much take everything with the Hindi entertainment industry's stamp on it. Next week, once I get enough time to watch Gangs of Wasseypur and the rest of the small releases that everyone's been raving about, I'll more than likely be back to my film obsessed self, but in the meanwhile, I've been entertaining myself other ways.

For years now, I've been glued to the Indian television screen. I admit it: I can switch from a Khan film to Ekta Kapoor's mindless serials faster than Katrina Kaif can shake her hips in Chikni Chameli. It's all so addictive but, god dammit, those Hindi dramas are a disease! Two shows, that I watch religiously are Iss Pyar Ko Kya Naam Doon and Bade Acche Lagte Hai. Yes, the latter is an Ekta show!

Last week, as I was sitting on my sofa, stuffing my mouth with Indian food and oogling at my TV screen, while watching Iss Pyar (even the name is romantic), I was left thinking...when was the last time I was so captivated by a movie? What movie?
Band Baaja Baarat, I think...wait, that was TWO FREAKING YEARS AGO! A few weeks ago, I was literally watching a scene between Ram Kapoor and Sakshi Tanwar in Bade Acche Lagte Hai and I was crying. That's a big deal, coming from a girl, who hasn't cried watching something since The Notebook. I want to have my feelings evoked the same way as I do while watching those melodramatic, filmy dramas. The stories, the dialogues and even the actors of television emote so much more than their Filmi counterparts do.
Hair blowing in the wind isn't "cheesy" for TV because TV doesn't let it get "cheesy". It's meaningful, it's romantic and it's deep. Television isn't afraid or ashamed about what it does best...and for the first time ever, I'm sitting here thinking television has more filminess than films do.

                                            Unsurprisingly, a sad fact for a Bolly lover.

Still from Iss Pyar Ko Kya Naam Doon *Sigh*  

Monday, February 6, 2012

No Expectations

It may be a bit too late to write a "films of 2012" post, but after looking at the crap release list for this year, I just had to write about the movies I'm dreading! Plus, most of the "interesting" movies are set for release in the second half of the year. So...

1) Tere Naal Love Ho Gaya


Can anyone say "yuck"?! The trailer has cliche, 90s style romantic "comedy" written all over it. How many wannabe comedic scenes can be saturated into a single trailer? Over that, did the makers really expect Riteish Deshmukh and Genelia D'souza to carry a film all by THEMSELVES! They aren't exactly lead actor material. They may have decent acting abilities and chemistry (duh, they're married), but I just don't see that "hero" or "heroine" element in either of them. Secondly, the whole film seems like a large, convoluted spoof, majorly dependent on Ajab Prem Ki Ghazab Kahani, which is in no way worthy of being alluded to. Now, why would one allude to APKGK? Is that movie some type of classic? NO! Then, TNLHG must already be hopeless? YES!

2) Tezz


Emphasis of the "zzzz" 

Kangana Ranaut, Anil Kapoor, Ajay Devgun, Zayed Khan and Sameera Reddy together in a film, directed by Priyadarshan?! I am afraid that this one's going to be horribly reminiscent of No Problem and De Dana Dan, but with some added action sequences that look like they're from the '80s. Now add that to a dreadfully lackluster star cast and Priyadarshan, whose last decent film was Hera Pheri.

I think that sums it all up!

3) Shootout at Wadala



First of all, I think it should be warned that this is a Sanjay Gupta movie! Sanjay Gupta, as in the King of copying. I know Hindi films are infamous for stealing foreign film stories and plots, but this guy does it so shamelessly that I refuse to watch anything he directs. Every single one of his movies is an unofficial remake! Though this movie is based on a real life event, I don't expect Mr. Gupta to bring any freshness to it. And of course, this movie is the sequel to Shootout at Lockandwala...a movie that I'm sure, none of us want to relive (unless Arbaaz Khan was to come back, which he is NOT).

Thursday, January 26, 2012

30 Day Bollywood Challenge Day 7

Day 7. A song that you like dancing to

Chunari Chunari
Biwi No. 1
This song is the epitome of Bollywood dance. It has all those stylish layers that Bollywood numbers are infamous for. The lyrics are suggestive and the music video's dance (particularly Sush's) has "oomph". Plus, Salman Khan + Sushmita Sen = HOT! 
 Secret: when I'm home alone, I blast this song on full volume, take out my dupatta and dance my heart out to it. I just can't help myself.

Firangi Babes

India has always been a country with a very little foreign population. Most of the time, Indians are the ones to leave their homeland and move to the west (after all, India is a developing nation). Therefore, it's no surprise that India's entertainment sector has traditionally been devoid of foreigners: white, black or tan. However, in recent years there has been a large influx of foreign models and actresses that have taken over the Hindi film industry. The controversy on their entrance into the exclusively Indian entertainment business is gaining lots of tempo, lately.  My opinion: Why? Is it needed?

It all started with Katrina Kaif, who isn't technically fully "foreign" since she has 50% Indian ancestry (at least that's what she says). She was pretty, tall and had charisma. The problem: she couldn't speak Hindi, nor could she act. But that was ten years ago...today, she's one of India's biggest heroines. She's cast in India's biggest productions and dates the hottest of men (if you ask me). She knows how to speak Hindi now too, though her acting skills are still questionable. Regardless of any of the criticism she may receive, Kat's even managed to make most people forget that she's "imported" in the first place. Frankly, she's as Indian as they come. And after all of these years, it doesn't and shouldn't matter where she came from because her success speaks by itself. Katrina Kaif undoubtedly started a trend. She ripped the red tape that had restricted non-Indians from playing pivotal roles in Hindi films. Like other countries, India's Bollywood finally became an open market for the whole world to act in. Though Katrina may not be THE reason Bollywood has opened up, she is undoubtedly an influential factor in the change. However, can she speak for other "foreigners"?


Recently, there has been the arrival of a number of foreign girls into the industry: Nargis Fakhri, Sunny Leone, Amy Jackson, Angela Johnson (to name a few). These women are miles apart from each other in every aspect, whether it be talent, background or looks. However, all of these girls are foreign, with minimal acting background and ability to speak the Hindi language. Like any other woman, these girls have readily accepted film offers from some of India's most reputed producers and directors. And why not? Who would reject fame and fortune beckoning at their doorstep, searching for them? 

I respect all of those women for trying something new, for moving to another nation and challenging themselves. But I'm disappointed in those producers and directors that go across the world, searching for non-Indian girls to play Indian girl roles. Hindi films aren't just for the Indian diaspora and therefore, shouldn't only include the Indian race, but is there a need to darken Amy Jackson's skin color and dub her voice for Ekk Deewana Tha, when there are thousands of worthy Indian girls to play her part? Why is Imtiaz Ali traveling across Europe trying to catch a hold of Nargis Fakhri? Since when do filmmakers run after the newcomers? I don't want to go back to the "is there something wrong with our girls" argument but when a foreign girl, with rudimentary skill, is cast for a role that any other Indian girl can do full justice to, I am forced to bring that topic up. 


Let's leave talent and language aside for a moment (after all, not every Indian actress has "talent" or acting ability either) and look at race and skin color. In Hollywood, one can find an actor of every nationality and color. However, you will NOT see the biological child of two white parents being played by someone whose black. Likewise, in Bollywood, it is absurd for the biological child of two Indian parents be played by someone whose white. Filmmakers should cast foreigners if the role really needs it, if the foreign "babe" is actually "foreign" and if the actor/actress are actually meant for the job (Sarah Thompson in Raajneeti). Where are the days when actresses were cast for ability? And when I say ability...I mean it very nebulously, some of these girls can't even dance (at least they could do that much, I hate watching them flopping around like chickens)! 

The reason for this phenomenon: the classic Indian inferiority complex AKA the firang fascination.

It's a widely accepted fact that Indian people are enthralled by everything non-Indian or white. Coming from an Indian family, I've heard countless "Aunties" saying a girl is beautiful, simply because she has a light skin tone and looks white. I've seen dozens of advertisements  that show SRK holding a bottle of skin whitening cream, telling the viewers the secret to beauty. Recently, I even saw some of my favorite Bollywood stars gazing at Tom Cruise like he was the answer to all their prayers. Indian people love everything NOT Indian, which is why film gurus are incessantly scurrying to sign foreign girls for their films. 

Wake up, Bollywood. For the first time, you got to be a bit more realistic. 
XOXO